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飘零双燕剧情简介
《飘零双燕》是法国电影史上的经典之作，由克劳德·夏布洛尔执导，以细腻的镜头语言和深刻的人物刻画展现了二战期间一个普通家庭的命运与挣扎。影片聚焦于一个平凡的法国家庭，他们在纳粹占领下的艰难岁月中，面对着爱情、背叛、牺牲与希望的复杂情感纠葛。豆《飘零双燕》是法国电影史上的经典之作，由克劳德·夏布洛尔执导，以细腻的镜头语言和深刻的人物刻画展现了二战期间一个普通家庭的命运与挣扎。影片聚焦于一个平凡的法国家庭，他们在纳粹占领下的艰难岁月中，面对着爱情、背叛、牺牲与希望的复杂情感纠葛。豆瓣内容: Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.1. 伊莎贝尔·于佩尔饰演的艾米莉，她的台词：“我只希望我们的爱能像这燕子一样自由飞翔，不被任何东西束缚。”2. 布鲁·欧吉尔扮演的雷蒙，他的台词：“在这个黑暗的时代，我们唯一能做的就是坚守内心的一束光，无论它多么微弱。”3. 阿丽尔·朵巴丝勒饰演的玛丽，她的话语：“生命中总有些瞬间，让我们明白，即使在最绝望的时候，爱依然存在。”这些角色在电影中各自承担了重要的情感支柱，共同构建了一个充满人性光辉的故事。他们的对话和行动，不仅揭示了战争背景下的个人命运，也探讨了爱、勇气与牺牲的主题，给观众留下了深刻的印象。详情
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